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See also: Bristol sessions and Appalachian music Bristol is best known for being the site of the first commercial recordings of country musicshowcasing Jimmie Rodgers and the Carter Familyand later a favorite venue of mountain musician Uncle Charlie Osborne. Bristol is also the birthplace of Tennessee Ernie Ford. InRalph Peer of Victor Records began recording local musicians in Bristol to capture the local sound of traditional 'folk' music of the region. One of these local sounds was created by someoen Carter Family. The Carter Family got their start on July 31,when A.
Stevens moved away, but was recently spotted at an Alive After Five show.
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The KMA gets queries about its unlikely success from other, bigger somsone museums around the country. Many observers credit Brown with the lion's share of Knoxville's recent mania for jazz.
Lambchop played some of their first shows at Lucy's. Bristol is also the birthplace of Tennessee Ernie Ford.
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Wynder is now the new executive director of the Jazz Exchange Organization, which demonstrates jazz in local high schools and coordinates special events. Among the principals was a TVA employee named Rocky Wynder who'd already been playing sax in the Knoxville area for the better part of 30 years.
By then, something else was happening, too. Audiences are currently averaging each Friday night, 40 Fridays a year. I thought, I don't even have Knoxvikle leave the city, I can still see some of the cats. But for a town this size, we're doing pretty good. Nashville: "Music City, U. Lucy's Record Shop was an independent, locally owned record store and all-ages music venue in Nashville in the s.
Maybe it's time to rat on all the jazz talent in Knoxville, and on the patrons, too diverse to be called a subculture, seekung support it.
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Lucille's hosts it six nights a week. It was finished aroundand Coker conducted some summer workshops up there, but logistics damned it. Dolly Parton"the Queen of Country" and owner of Dollywoodhad 2 1 Hot hits, including " 9 to 5 " in If they were actors--everybody knows David Keith's here.
And if a Boomer demographic boosts attendance at other jazz shows, it's only barely relevant at AAF. Strange's background is in folk music and storytelling.
Even as country music became central to Nashville's identity and music commerce, a string of clubs on Jefferson Street played host to electrifying rhythm and blues. Every month or so I'd look up and there'd be somebody I knew. At a recent show there was an old lady in a wheelchair, several toddlers, teenage girls, men in suits and gray whiskers, all enjoying themselves.
But it was at Annie's that jazz thrived, even when there was nothing else open down there so late. All kinds of music, he says, have their place, representing one region or one age group or one social status.
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This happens every Friday night. Meanwhile, white and black met in Printer's Alleywhere Music Row studio sweking gathered at day's end to play jazz  and rock and roll. Longtime observer Mike Dotson concurs. I like the bar, the people, the waitresses," says King, who at 28 is one of the younger performers on the scene.
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King and his colleagues at Knoxvilpe Disc Exchange say jazz sales are strong, especially bebop--and some progressive jazz records available only by mail order a few years ago now have their own section there. As Annie's grew, the eclectic nightclub Ella Guru's opened across the street, bringing an astonishing mix of country, rock and jazz. It's important to appreciate just how weird that idea is.
Modern Jazz In the mid-'70s, public radio station WUOT, which had broadcast jazz occasionally since the late '40s, got somepne galvanic charge from a couple of new DJ's, Ashley Capps and Mike Dotson, maniacal young jazzhounds who approached the music with infectious curiosity. During its five and a half years of operation, Lucy's supported a growing punk go indie music scene in Nashville, and even received national notoriety as a prominent underground music venue.
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The KMA estimates that some two-thirds of a given audience is made up of KMA members, who get in free; but they also admit that quite a few KMA members pay their dues mainly because they want to get in free to Alive After Five. If anybody has a copy, we'd like to see it, too. But make that music bebop, a late-night genre if there ever was one, and play "Round Midnight" in broad daylight starting at aboutbefore most of us have started thinking about supper, and you've got a true cultural freak on your hands.
Jerry Coker, whose brother Jack sometimes played piano there, recalls that it was often so jammed that "the din would sometimes drive us out of there. Knoxville, as we know, is the cradle of country music, a bassinet of the blues, and one of the playpens of rock 'n' roll. First, amplified music and plentiful alcoholic drinks in a controlled-environment museum of fine arts: you don't see that everywhere.
And to speculate about how we got such an unfair share of good Jasz. One of the most bizarre bands that's ever visited here, and one of the most entertaining, it may also have been one of the most musically ificant. By the late '70s, a Kingston Pike club called Chantilly's featured a local jazz combo regularly. The current MC is the unsubtle former dino-rock jock Colvin Idol.
People born in the '40s and '50s--the Baby Boomers, essentially--are more accustomed to stepping out in the evening than generations were. To Scarlett, who remembers when Gordon's Townhouse was packing them in by the hundreds in the late '50s, it's been more or less a continuum, with ups and downs along the way. Today, Lucille's hosts live jazz six nights a week, and may be better known for its jazz than for its impressive menu.
Today, though, Knoxville's becoming better known abroad for jazz. Several local nightclubs sometimes feature live jazz.
Nashville's predominance in country music was regained by the early s, when Dwight Yoakam and sefking neo-traditionalists entered the charts. Spongebath Records was a key force in the Murfreesboro indie music scene in the late s. They turn out even on a cover-charge weeknight; by midnight Tuesday there may be 50 customers in the small room, listening to piano jazz and torch songs.
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If you haven't heard Knoxville and jazz floating on the same breath, maybe you don't get out enough. Named Jubilee Hallthe building was deated a National Historic Landmark in and still stands.
Some come every single Friday and never get tired of it. Les Etoiles Currently, a new crowd replaces that one to see the late-night musical jazz revue, "Ain't Misbehavin,'" whose director, pianist Werner, is another former Memphian who came to Knoxville to be part of UT's music program.